Los Angeles (E! Online) - Jessica Alba and boyfriend Cash Warren will soon be a fantastic three.

People was first to report news of the pregnancy.

Alba, 26, and Warren, the 28-year-old son of former Hill Street Blues star Michael Warren, have dated on and off since the fall of 2004, after meeting on the set of The Fantastic Four, in which she starred and he worked as a director's assistant.

So far, there's no word on how the impending addition may affect Alba's upcoming production schedule.

She recently wrapped filming on The Love Guru, opposite Mike Myers and Justin Timberlake, and is attached to star in the long delayed Sin City sequel.

She'll also be seen in the horror film The Eye, slated for release Feb. 1.

Alba also recently confirmed she was in talks to make her Broadway debut in a revival of David Mamet's Speed-the-Plow, playing the role originated by Madonna in the 1988 production.

"Well, there's a rumor. Yeah, I've been asked to do it," she said last month on Live with Regis and Kelly.

"But this is just talk. It's not really happening yet," she added.

At the time, Alba said that taking the role next summer might work out to be "perfect timing," should a potential strike by the Screen Actors Guild become a reality in June.

Now, it looks like said strike might coincide with her maternity leave instead.

The Basics: A headstrong young girl named Lyra (newcomer Richards) holds the keys to the upcoming battle between worldwide oppression and … um … dust. OK, they don't explain the significance of the dust exactly, except that all matter seems to come from it, and the "Magisterium" (this story's stand-in for the Church) hates it when people talk about it and would like to outlaw any acknowledgment of its existence. The girl gets involved with a truth-telling compass, an alcoholic warrior bear, some traveling Romany-ish folks, a child-theft conspiracy led by Kidman, spirit-guide animals and a gang of foxy witches. Look, it all makes sense when you watch it.

What's the Deal? The three most recent Star Wars movies wish they were as much wildly imaginative fun as this is. It moves at a land-speed-record pace, which might bug some people, because you never really get time to breathe (it's in that much of a crazy fire-engine hurry), but that's because they've got a lot of stuff to pack in. And the character of Lyra is as emotionally involving as Luke Skywalker and Frodo. No, I don't think that's an exaggeration, so save your e-mails.

Why Aren't There Awards for Voice Casts? Because McKellen as the armored-covered warrior bear Iorek Byrnison makes you wish you could have your own armor-covered warrior bear guarding your back. He makes this CG animal majestic and troubled and brave and moving. That's deserving of some sort of prize. Cookie bouquet. Something.

Sometimes Botox Isn't All Bad: I saw this ad for Botox recently and its new tagline is "express yourself," which is pretty funny considering that injecting it into your head makes you look like you've been cryogenically frozen. And although I have no hardcore evidence that Kidman is addicted to the stuff, I think we can all agree that her face looks a little different than it used to. Here, her recently acquired facial immobility (she is able to move her eyebrows though — I paid attention) really works for her character, upping the icy, creepy evil she wants to project. As usual, she's on point.

The Basics: In Barrow, Alaska, the sun sets for a month once a year. Then come the vampires. They chase and eat people for 30 days while the town's sheriff, his estranged wife and some other soon-to-be-midnight-snacks hide and pause the film to have boring conversations.

What's the Deal? In a way, this movie is like 28 Days Later and the Dawn of the Dead remake in that it takes a monster whose habits you think you know well and turns those habits upside down. These are very modern vampires: Gone are the Anne Rice sexual overtones, gone is the slow seduction, gone is the foppishness. These are monsters who act more like werewolves or crazed zombies than traditional vampires, so you get that jolt of newness. It's also wildly violent and splattery when the vampires are feeding — so more points for that. But it's not scary at all, so that's kind of a drag.

Who's Good: Huston, as the leader of the vampires, is nicely creepy. And Foster, as a stranger who warns of the vampire's arrival, has found his acting niche — being a weirdo freak everywhere he goes (see 3:10 to Yuma and Alpha Dog for more proof).

Why It Sort of Still Fails: It wants to be hard and smack you in the face with its ferocity, but it also wants you to care about the people in the town. And you can see Hartnett trying to carry it along. But even with one interesting twist thrown in, the humans are the least compelling part of the movie.

The film opens with a small group of 16th century Mayans celebrating the kill of a tapir by distributing the innards to members of the hunting group. One of the film’s only light moments comes during this opening scene when a member of the happy hunting party is tricked into eating the testicles so that he might finally be able to impregnate his wife.